Hi-8 tapes used for Digital8 will yield 50% of the Hi8 recording time. In other words, a 120 minute Hi8 will give you 60 minutes of Digital8 recording capacity. | |||
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| Things you should know... Although they are all digital camcorder tapes, Mini DV, MicroMV and Digital8 are three different tape formats and will not work in the same cameras. Please look at your camera and see if it says MiniDV, Micro MV or Digital8 on the side and then choose the appropriate button on the left. Basic Comparison of Two MiniDv and Digital8 Format
Digital8
To summarize, MiniDV and Digital8 are both good options, but for different reasons: The Digital8 Option If you are current owner of a Hi8 or 8mm camcorder, upgrading to Digital8 might be the option for you. Digital8 is a hybrid system that not only allows digital video recording, but also provides for playback compatibility with older 8mm and Hi8 tapes. Also, with the same computer IEEE1.394 interface as MiniDV, Digital8 is also compatible with a multitude of Desktop Video. editing options. Digital8 camcorders also have analog video in/out capability (except European models), which enables one to make a digital video copy from any analog video source that has an RCA or S-Video output. Although most MiniDV camcorders also have this ability, this feature is often eliminated on the more entry level models. The MiniDV Option If you are starting from "ground zero" and are not concerned about compatibility with previous formats or have price concerns, then MiniDV might be a better choice. The Camcorders are smaller, and have a host of features for excellent video making. The most important factor has to do more with politics than technology, however. MiniDV is an industry standard that not only has a five year track record, but is supported by several major manufacturer's including Canon, JVC, Panasonic, Sharp, and, ironically, Sony (which supports both MiniDV and Digital8). This allows not only an abundant selection of MiniDV models, from tiny units not much larger than a pack of cigarettes to the large semi-pro 3CCD types used in independ film production and news gathering, but also allows for more flexibility for video duplication. The pro versions of MiniDV, referred to as DVcam and DVCpro are standards that are used in many commercial and broadcast video applications around the world. Unless Sony picks up more partners in supporting Digital8, it will eventually fall by the wayside, especially if the cost of MiniDV camcorders continue their downward spiral (some MiniDV camcorders already cost less than some of the Sony D8 models). Last, but not least, although there are a couple of portable Digital8 VCRs, but they are expensive. Ironically, Sony, along with Panasonic and JVC have both consumer and professional MiniDV VCRs available (both desktop and portable) and, although expensive ($1.,000 and up), they are still available for those that feel the need and have the cash.
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